笛聖將分享畢生珍貴的練習與教學經驗，以及有系統的長笛基本練習方式
這天大師提到他自身幼年經驗，老師叫他自由即興作為暖身，他發現自己只喜歡吹中音域，高低音域因為技巧限制不好聽都不愛吹。
Empirical Practice: keep trying--> Limited by personal experiences and techniques.
Systematical (Analytic) Practice: to find
(1) where is the problem?
(2) why difficult?
(3) exercise to solve the problem.
Technical Practice
(1) should play intelligently
(2) know why/ where the goal is
--> Avoid the risk of repeating mistake and becoming worse.
Moyse Studies:
Extremely systematic (for all possibilities)
Very difficult (not enough explanation)
--> Need good teacher for instruction & much intelligence
沒辦法練全部：因為
(1) 太多了 XD
(2) 練完之後還是會發現某技巧在曲子中忽然變得很難（心理障礙，Example: Ravel's "Daphnis et Chloe" & Mozart Concerto in D, Mov.I）
Graf "Check Up": for basic problems (the counter side of Moyse's studies)
練習方法：(1) 遇到問題去找來練；(2) 一天練半本 with control and imagine it's music (P.4)
"Sing Flute": for empirical practice.
Daily Practice:
(1) Tone/Breathing
(2) Technique
(3) Studies
(4) Pieces（分段練習技巧問題，如果不行就再回到Technique；背譜練習全曲，目標是音樂表現）
為特長句子準備：
"Check Up" No.3 -->在旋律中偷氣灌滿
BUT Bach Partita--> find possible places & play flexibly
"Check Up" No.4 --> 分別練習調整下巴、頭、嘴唇，來找最佳位置
"Check Up" No.15--> Articulation
(1) Portato: legato with articulation
(2) Detache
(3) Staccato: 打舌後停在上面
(4) Marcato: use more air rather than more tonguing. Tonguing is always piano.
Enesco 中 Legato吹法：轉換瞬間完全放鬆
"Check Up" No.5 Whistle Sound: for extremely relaxing lip!
How to overcome the stage nerve?
(1) First, concentrate on the body (forget the music or people)
(2) Think about the music
以下題外話：
據說課程開始前Graf大師看到Trevor Wye在外面玻璃櫃上簽名畫圖，所以他也來一個 XD
而且這天人比較少（也只是沒有爆滿罷了），最後留下來的都跑去合照，有沒有很羨慕呀~嘿嘿:P
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