2008 Peter-Lukas Graf's Lectures Day 01 Notes 葛拉夫大師講座首日筆記

4月26日（六）14：00 精確度（忠於原作）與自由度
探討演奏時如何保有忠於原作的精確度，以及在音樂詮釋上的自由度

What is music?

演奏音樂時要思考：
1. What does the composer(or music) mean?
2. Is the composer's idea sacred (unchangeable) or flexible?

The two ideas above lead to
(1) Historic performance practice: historical, emphasize on composer's vision.
(2) Adapted to modern time to satisfy our taste. （Use Boehm flute, and usually criticized by historians.)
But we always move between the two above.


Composer --> Original idea --> Score --> Interpretor
Interpretor --> Score --> Original idea --> Realisation


Should we be precise or have some freedom?

What is the most important in interpretation?
--> Just do what is on the paper!!

What to do?
1. Careful reading!!
2, Understanding.

There is only "ONE" accurate interpretation!
Example:
J.S. Bach: Suite in b minor
Correct in understanding the French rhythm

"Alla francese" in Telemann's sonata


Freedom --> Flexibility in an order.

The more you read, the more flexibility you have.

"Rubato": players have to be sure about the rhythm. （用節拍器練習！）

Be flexible but precise!

Rules are used as guides to avoid mistakes and to gain more flexibility.


Suggested Edition
For Bach: Urtext, Breitkopf (Edited by Kuyken)
For Mozart: Novelle (Edited by Trevor Wye) for the easier piano part.


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