Thursday, 15 July 2010
RCM International Festival of Viols 2010
RCM International Festival of Viols
With Jordi Saval and Christophe Coin
Tuesday 23 and Wednesday 24 November
The Historical Performance department at the Royal College of Music is delighted to announce details for the 4th International Festival of Viols. This year's two-day festival features the wonderful Kessler English viols from the 17th century, as well as masterclasses and recitals by Jordi Savall and Christophe Coin.
Supported by Linda Hill
Programme of Events
TUESDAY 23 NOVEMBER
Viol Masterclass with Jordi Savall
10.00am I Amaryllis Fleming Concert Hall
Tickets: Free but tickets required
Bach and the Viol & La Voix Humaine: the unaccompanied bass viol
2.00pm I Inner Parry Room
Lectures by Richard Boothby and Dr Lucy Robinson
Tickets: Free but tickets required
La Voix Humaine: the unaccompanied bass viol
6.00pm I Amaryllis Fleming Concert Hall
Jordi Savall bass viol
A special solo recital.
Tickets: £5, £8
WEDNESDAY 24 NOVEMBER
Viol Masterclass with Christophe Coin
10.00am I Amaryllis Fleming Concert Hall
Tickets: Free but tickets required
Lectures and classes
2.00pm I Durrington Room
Tickets: Free but tickets required
Recital by Christophe Coin
6.00pm I Amaryllis Fleming Concert Hall
Tickets: £5, £8
Wednesday, 14 July 2010
24 Violons du Roi - Versaille at RCM, 2010
From Concerts in UK, 2010 |
Orchestra part.
Sir Roger Norrington
Orchestra Rehearsal at RCM Concert Hall
Monteclair Cantata Rehearsal
Baroque Dance Workshop with Lady Kay Norrington
Sir Roger Norrington
Orchestra Rehearsal at RCM Concert Hall
Orchestra Rehearsal at RCM Concert Hall
Monteclair Cantata Rehearsal
Monteclair Cantata Rehearsal
Baroque Dance Workshop with Lady Kay Norrington
Baroque Dance Workshop with Lady Kay Norrington
Baroque Dance Workshop with Lady Kay Norrington
Tuesday, 6 July 2010
Royal College of Music NOMINATED PRIZES JULY 2010
Royal College of Music
NOMINATED PRIZES
JULY 2010
The following students have been awarded Prizes for the academic year 2009/2010:
Harold Darke Prize for Organ
Hannah Parry-Ridout
Walford Davies Prize for Organ
Jonathan Bunney
Beatrice Leigh Prize for BMus3 Piano Recital
Tomoka Shigeno
Sarah Mundlak Memorial Prize for Piano
Joao Pereira Bettencourt da Pereira
McCulloch Prize for Opera
Jimmy Holliday
Eric Joseph Shilling Prize for Opera
Lorna Bridge
Stephen Trier Award for Bass Clarinet lessons
Kymia Kermani
Herbert Samuel Memorial Prize for Horn
Katie Woolley
Herbert Samuel Memorial Prize for Trumpet
Shane Brennan
Herbert Samuel Memorial Prize for Trombone
Rupert Whitehead
Herbert Samuel Memorial Prize for B.Trombone
Ross Brennan
Herbert Samuel Memorial Prize for Tuba
Christopher Barrett
McKenna Prize for Baroque Music
Yu-Wei Hu
Sabian Prize for Percussion
Serge Vuille
Joseph Horovitz Prize for Composition for Screen
Martin Batchelar
Cobbett & Hurlstone Prize for Composition
David Rafferty
Adrian Cruft Prize for Composition
Shiva Feshareki
Earl of Dalhousie Award
Eleanor Dennis
Knights of the Round Table Award
Michael Foyle
Professor Colin Lawson
Director
1 July 2010
NOMINATED PRIZES
JULY 2010
The following students have been awarded Prizes for the academic year 2009/2010:
Harold Darke Prize for Organ
Hannah Parry-Ridout
Walford Davies Prize for Organ
Jonathan Bunney
Beatrice Leigh Prize for BMus3 Piano Recital
Tomoka Shigeno
Sarah Mundlak Memorial Prize for Piano
Joao Pereira Bettencourt da Pereira
McCulloch Prize for Opera
Jimmy Holliday
Eric Joseph Shilling Prize for Opera
Lorna Bridge
Stephen Trier Award for Bass Clarinet lessons
Kymia Kermani
Herbert Samuel Memorial Prize for Horn
Katie Woolley
Herbert Samuel Memorial Prize for Trumpet
Shane Brennan
Herbert Samuel Memorial Prize for Trombone
Rupert Whitehead
Herbert Samuel Memorial Prize for B.Trombone
Ross Brennan
Herbert Samuel Memorial Prize for Tuba
Christopher Barrett
McKenna Prize for Baroque Music
Yu-Wei Hu
Sabian Prize for Percussion
Serge Vuille
Joseph Horovitz Prize for Composition for Screen
Martin Batchelar
Cobbett & Hurlstone Prize for Composition
David Rafferty
Adrian Cruft Prize for Composition
Shiva Feshareki
Earl of Dalhousie Award
Eleanor Dennis
Knights of the Round Table Award
Michael Foyle
Professor Colin Lawson
Director
1 July 2010
Monday, 5 July 2010
JS Bach Cantata BWV 9 Es ist das Heil uns kommen her
BWV 9 Es ist das Heil uns kommen her
Sixth Sunday after Trinity.
Poet unknown.
1. Paul Speratus, verse 1 of the hymn, 1524 (Wackernagel, III, #55); 2. based freely on verses 2, 3, and the beginning of 4; 4. based freely on verses 5-7; 5. based freely on verse 8; 6. based freely on verses 9 and 11; 7. verse 12 of the hymn.
1732-1735, Leipzig.
BG 1; NBA I/17.
1. Chorus [Verse 1] (S, A, T, B)
Now is to us salvation come
By grace and purest favor.
Our works, they help us not at all,
They offer no protection.
But faith shall Jesus Christ behold,
Who hath enough done for us all
He is our intercessor.(1)
2. Recit. (B)
God gave to us a law, but we were far too weak
That we could ever hope to keep it.
We followed but the call of sin,
No man could be called godly;
The soul remained to flesh adherent
And ventured not to stand against it.
We were within the law to walk
And there as if within a mirror see
How yet our nature was undisciplined;
And just the same we clung to it.
Of his own strength none had the power
His sinful rudeness to abandon,
E'en though he all his strength might strive to gather.
3. Aria (T)
We were ere then too deeply fallen,
The chasm sucked us fully down,
The deep then threatened us with death,
And even still in such distress
There was no hand to lend us help.
4. Recit. (B)
But somehow was the law to have fulfillment;
And for this came to earth salvation,
The Highest's Son hath it himself fulfilled
And his own Father's wrath made still.
Through his own guiltless dying
He let us win salvation.
Who now in him doth trust
And on his passion build,
He walketh not in peril.
And heaven is for him appointed
Who with true faith himself shall bring
And firmly Jesus' arms embrace.
5. Aria (S, A)
Lord, thou look'st past our good labors
To the heart's believing power,
Nought but faith dost thou accept.
Nought but faith shall justify,
Ev'ry labor seems too slight
E'er to bring us any help.
6. Recit. (B)
When we our sin within the law acknowledge,
Our conscience is most sorely stricken;
Yet can we reckon to our comfort
That we within the Gospel's word
Shall soon again
Be glad and joyful:
This gives to our belief new power.
We therefore wait the day
Which God's own graciousness
To us hath firmly pledged,
E'en though, in truth, with purpose wise,
The hour is not told us.
But still we wait with full assurance,
He knoweth when our time is come
And worketh no deceit
On us; we may depend upon him,
And him alone be trustin.
7. Choral [Verse 12] (S, A, T, B)
Though it should seem he were opposed,
Be thou by this not frightened;
For where he is at best with thee,
His wont is not to show it.
His word take thou more certain still,
And though thy heart say only "No,"
Yet let thyself not shudder.
Sixth Sunday after Trinity.
Poet unknown.
1. Paul Speratus, verse 1 of the hymn, 1524 (Wackernagel, III, #55); 2. based freely on verses 2, 3, and the beginning of 4; 4. based freely on verses 5-7; 5. based freely on verse 8; 6. based freely on verses 9 and 11; 7. verse 12 of the hymn.
1732-1735, Leipzig.
BG 1; NBA I/17.
1. Chorus [Verse 1] (S, A, T, B)
Now is to us salvation come
By grace and purest favor.
Our works, they help us not at all,
They offer no protection.
But faith shall Jesus Christ behold,
Who hath enough done for us all
He is our intercessor.(1)
2. Recit. (B)
God gave to us a law, but we were far too weak
That we could ever hope to keep it.
We followed but the call of sin,
No man could be called godly;
The soul remained to flesh adherent
And ventured not to stand against it.
We were within the law to walk
And there as if within a mirror see
How yet our nature was undisciplined;
And just the same we clung to it.
Of his own strength none had the power
His sinful rudeness to abandon,
E'en though he all his strength might strive to gather.
3. Aria (T)
We were ere then too deeply fallen,
The chasm sucked us fully down,
The deep then threatened us with death,
And even still in such distress
There was no hand to lend us help.
4. Recit. (B)
But somehow was the law to have fulfillment;
And for this came to earth salvation,
The Highest's Son hath it himself fulfilled
And his own Father's wrath made still.
Through his own guiltless dying
He let us win salvation.
Who now in him doth trust
And on his passion build,
He walketh not in peril.
And heaven is for him appointed
Who with true faith himself shall bring
And firmly Jesus' arms embrace.
5. Aria (S, A)
Lord, thou look'st past our good labors
To the heart's believing power,
Nought but faith dost thou accept.
Nought but faith shall justify,
Ev'ry labor seems too slight
E'er to bring us any help.
6. Recit. (B)
When we our sin within the law acknowledge,
Our conscience is most sorely stricken;
Yet can we reckon to our comfort
That we within the Gospel's word
Shall soon again
Be glad and joyful:
This gives to our belief new power.
We therefore wait the day
Which God's own graciousness
To us hath firmly pledged,
E'en though, in truth, with purpose wise,
The hour is not told us.
But still we wait with full assurance,
He knoweth when our time is come
And worketh no deceit
On us; we may depend upon him,
And him alone be trustin.
7. Choral [Verse 12] (S, A, T, B)
Though it should seem he were opposed,
Be thou by this not frightened;
For where he is at best with thee,
His wont is not to show it.
His word take thou more certain still,
And though thy heart say only "No,"
Yet let thyself not shudder.
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